Benjamin Moore In the Midnight Hour (1666) Paint Color
Color Name: | In the Midnight Hour (1666) |
Hex Color Code: | #415663 |
RGB Color Code: | RGB(65, 86, 99) |
CMYK Values*: | 34.3%, 13.1%, 0.0%, 61.2% |
Color Name: | In the Midnight Hour (1666) |
Hex Color Code: | #415663 |
RGB Color Code: | RGB(65, 86, 99) |
CMYK Values*: | 34.3%, 13.1%, 0.0%, 61.2% |
In the Midnight Hour (1666) color belongs to the Blue color family (hue). The hexadecimal color code(color number) for In the Midnight Hour (1666) is #415663, and the RGB color code is RGB(65, 86, 99).
In the RGB color model, In the Midnight Hour (1666) has a red value of 65, a green value of 86, and a blue value of 99. The CMYK color model (also known as process color, used in color printing) comprises 34.3% cyan, 13.1% magenta, 0.0% yellow, and 61.2% key (black). The HSL color scale has a hue of 202.9° (degrees), 20.7 % saturation, and 32.2 % lightness. In the HSB/HSV color space, In the Midnight Hour (1666) has a hue of 202.9° (degrees), 34.3 % saturation and 38.8 % brightness/value.
In the Midnight Hour (1666) is cool or warm?
The color In the Midnight Hour (1666) is a cool color.
What is the LRV of In the Midnight Hour (1666)?
In the Midnight Hour (1666) has an LRV of nearly 9. By LRV value, it is a dark color.
Light Reflectance Value (LRV) is a measure of how much visible light is reflected off a surface. It is a number on a scale of 0 to 100, with 0 being pure black and 100 being pure white. The higher the LRV, the more light the color reflects and the lighter it will appear.
Compare LRV 9 of In the Midnight Hour (1666) with dark and light Color
LRV is important to consider when choosing paint colors for a room, as it can affect the overall brightness and mood of the space.
Lighter colors with higher LRVs will make a room feel more spacious and airy, while darker colors with lower LRVs will create a more intimate and cozy atmosphere.
LRV value 9 puts Benjamin Moore In the Midnight Hour (1666) paint color in the
darker category.
In the Midnight Hour (1666) (Paint - Benjamin Moore) color codes / color number / color space conversions - HEX, RGBA, CMYK, HSL, HSV/HSB, HYZ, CMY, HWB, RYB
RGBA / RGB
CMYK
HSL
HSL(202.94deg, 20.7 %, 32.2 %)
RYB
HSV/HSB
HWB
H: 202.94°
W: 25.49 %
B: 61.18 %
XYZ
X : 7.76
Y : 8.68
Z : 13.07
YXY
Y1 : 8.68
X : 0.26
Y2 : 0.29
CMY
C : 74.51%
M : 66.27%
Y : 61.18%
LRV
Munsell Color System
CIE-Lab
L : 35.36
A : -4.48
B : -10.11
CIE-Lch
L : 35.36
C : 11.05
H : 246.11
CIE-Luv
L : 35.36
U : -10.41
V : -12.6
Hunter-Lab
L : 29.46
A : -4.54
B : -5.68
Named colors similar to In the Midnight Hour (1666) (Paint - Benjamin Moore)
Here are the colors similar to In the Midnight Hour (1666) (Paint - Benjamin Moore). Delta E (ΔE) is the measure of the difference between two colors. Delta E is measured on a scale from 0 to 100, where 0 means exact match, and 100 is the highest difference.
Similar colors from Pantone, RAL, and other color matching system
Pantone PMS
In the Midnight Hour (1666) similar/equivalent colors from Pantone PMS. Conversion of In the Midnight Hour (1666) to Pantone PMS
Pantone TCX
In the Midnight Hour (1666) similar/equivalent colors from Pantone TCX. Conversion of In the Midnight Hour (1666) to Pantone TCX
British Standard 4800
In the Midnight Hour (1666) similar/equivalent colors from British Standard 4800. Conversion of In the Midnight Hour (1666) to British Standard 4800
RAL Design
In the Midnight Hour (1666) similar/equivalent colors from RAL Design. Conversion of In the Midnight Hour (1666) to RAL Design
RAL Classic
In the Midnight Hour (1666) similar/equivalent colors from RAL Classic. Conversion of In the Midnight Hour (1666) to RAL Classic
Paint similar to In the Midnight Hour (1666) (Paint - Benjamin Moore)
Here are the best recommended paint colors similar to In the Midnight Hour (1666) (Paint - Benjamin Moore). Delta E (ΔE) is the measure of the difference between two colors. Delta E is measured on a scale from 0 to 100, where 0 means exact match, and 100 is the highest difference.
Benjamin Moore
In the Midnight Hour (1666) similar/equivalent paint from Benjamin Moore. Conversion of In the Midnight Hour (1666) to Benjamin Moore
Dunn-Edwards
In the Midnight Hour (1666) similar/equivalent paint from Dunn-Edwards. Conversion of In the Midnight Hour (1666) to Dunn-Edwards
PPG Paints
In the Midnight Hour (1666) similar/equivalent paint from PPG Paints. Conversion of In the Midnight Hour (1666) to PPG Paints
Behr
In the Midnight Hour (1666) similar/equivalent paint from Behr. Conversion of In the Midnight Hour (1666) to Behr
Valspar
In the Midnight Hour (1666) similar/equivalent paint from Valspar. Conversion of In the Midnight Hour (1666) to Valspar
Sherwin Williams
In the Midnight Hour (1666) similar/equivalent paint from Sherwin Williams. Conversion of In the Midnight Hour (1666) to Sherwin Williams
The triadic color palette has three colors separated by 120° in the RGB color wheel
The tetradic colour scheme composed of two sets of complementary colors in a rectangular shape on the color wheel.